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Where photographers who shoot in black and white come to learn, share and grow

  • The Monochrome Triangle

    The Monochrome Triangle

    Most of us learned photography through the exposure triangle. Aperture, shutter speed, ISO. Three variables, each one affecting the others. There is a second triangle. The Monochrome Triangle. Every time a photograph stops us in our tracks, all three points are working. Every time a photograph falls flat, at least one of them has failed.

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  • How to Find Your Fine Art Style in Black and White Photography

    How to Find Your Fine Art Style in Black and White Photography

    Most photographers spend years chasing a style that was already theirs. Arty Lee’s journey to finding his fine art voice in black and white is worth watching.

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  • A Photo Story: What the North Asks of You

    A Photo Story: What the North Asks of You

    There is a particular kind of photograph that does not reveal itself immediately. You make it, file it away, move on. Years pass. Then one day you return to it and something has changed, not in the image, but in you. Flora van Wageningen returned to her Faroe Islands photographs seven years after making them.…

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  • Why Authenticity Matters in Photography and How to Find Your Own Voice

    Why Authenticity Matters in Photography and How to Find Your Own Voice

    There is a moment that most photographers recognise. You step outside with a camera and something shifts. The noise in your head gets quieter. You start paying attention differently. For a long time this was just something photographers said to each other. A feeling. An intuition. Now there is a growing body of research that…

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  • Drop The Anchor

    Drop The Anchor

    A ship without an anchor is not free. It is lost. There is a difference between the two that most people miss. Freedom implies intention. Lost means drifting. Moved by whatever current happens to be running that day, with no fixed point to return to. A photograph without an anchor is the same thing.

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  • Landscape Photographers Stop Turning Your Back on the Light

    Landscape Photographers Stop Turning Your Back on the Light

    Every beginner photography guide says the same thing. Keep the sun behind you. Light your subject from the front. Make sure everything is visible and evenly lit. It is practical advice. It is also, in black and white landscape photography, often completely wrong.

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  • Weekly News Roundup

    Weekly News Roundup

    The photography world lost one of its most courageous voices this week. Paul Conroy, war photographer, survivor of the Homs siege, and one of the most principled photojournalists of his generation, died of a heart attack at 61. We also cover the Sony World Photography Awards Professional finalists, the Hasselblad Award, Catherine Opie at the…

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  • The Man Who Wanted to Photograph Everyone

    The Man Who Wanted to Photograph Everyone

    August Sander had a simple idea. He wanted to photograph the German people. All of them. Not the famous ones. Not the beautiful ones. Everyone. He called the project People of the Twentieth Century. He spent most of his life on it. He never finished it. And in not finishing it, he created one of…

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  • Your Feed is a Studio but the Collective is a Gallery

    Your Feed is a Studio but the Collective is a Gallery

    There is an artist who makes extraordinary work. The walls of his studio are covered in it. Canvas after canvas, each one the result of genuine skill and real creative thought. He spends his mornings there, alone, adding to the collection. And when he is done he turns off the light and locks the door.…

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  • Does It Matter How Often You Shoot?

    Does It Matter How Often You Shoot?

    Many people believe they can just pick up their camera after weeks of it sitting on a shelf and expect the same results. The truth is that your creative muscles need constant movement to stay sharp. This post explores why regular practice builds your intuition and why a long break might just send you back…

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