A retired rabbi turned street photographer stumbled onto a Brooklyn Chabad camp trip on a ferry to Governors Island. What he found
Rob Sutherland is a commercial and landscape photographer who has shot a photo a day for sixteen years. On a family trip
Ty Nelson picked up a camera because he loved wrestling, and started shooting the action the way most beginners do. What he
Kenneth Nelson had one goal on June 26, 2004. Document the Mermaid Parade. Then the music found him first, and it never
Andre Vallgren spent a day photographing a Swedish luthier who has built guitars for Keith Richards and Ryan Adams. What he found
Andrés Gonzalez started asking questions about Portugal's wildfires in 2023 and has not stopped since. He rides hundreds of kilometers on a
Neil McShane made this photograph from a bench in his front garden in 2022, while recovering from sepsis with a Fuji X-T20
A figure appears in the mist at the Osaka Expo, caught on a Leica M3 loaded with Ilford Delta 3200. Jasper Bancroft
Mark Archibald had long kept a quarter mile gravel road in mind as a good sunset vantage point over an Amish farm
Michael Houghton and his wife fell in love with the Isle of Harris on their first visit in 2015 and have returned
Flora van Wageningen took a solo weekend to the mountains during a genuinely low point in her life, expecting nothing more than
Mark Archibald bought six acres of fallow farmland twenty five years ago and spent decades planting trees, scattering acorns on walks, and
Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing
Leighton Phillips describes his work as Urban Still Life, drawn to the mundane, the ignored, and the visually familiar rather than anything
Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and
Damian Ward is drawn to woodland and solitary trees, especially in winter when the branches are bare, in a landscape he describes
Edward Boches was pulled into photography by John Filo's 1970 image of a woman kneeling over Jeffrey Miller at Kent State, the
Andrew Griffiths has been photographing since he was four or five years old, carrying a bakelite Brownie camera through the Pennine hills
Ten days. Ten images. One singular pursuit of light. This series explores the quiet drama of Mexico’s streets and the power of finding the “main character” within the shadows.
In the world of monochrome photography we often debate which element is the true king of our craft. Is it the dramatic interplay of light and shadow or is it the structural perfection of a strong composition? While light provides the soul and emotion of an image composition provides the essential structure that guides the…
The world of photography just converged on Yokohama for CP+ 2026 and the results are a dream for monochrome enthusiasts. This year was not about chasing megapixels but about reclaiming the soul of the craft. We saw a massive shift toward lightweight professional glass like the new Nikon 70-200mm and a surprising surge in tactile…
In a world without algorithms, the loudest person in the room is often the first to be ignored. We explore the etiquette of the chronological timeline and why the most powerful thing a photographer can do is give their work room to breathe.
Nikon’s new Z5II mirrorless camera offers exciting features for artists working in black and white. Its full-frame sensor and impressive low-light capabilities promise to elevate our monochrome vision.
As the doors close on the largest CP+ show in history, the message from Yokohama is clear: the era of chasing “perfect” specs is giving way to a new era of “character.” From Canon’s surprising retro box-camera prototype to Nikon’s record-breaking lightweight 70-200mm, the industry is finally listening to photographers who want tools that feel…
We are constantly told that life begins at the end of our comfort zone, but in the world of photography, the opposite is often true. This post explores the “Photographic Comfort Zone” the place where the camera disappears, the mechanics become second nature, and you are finally free to see the world with absolute clarity.
A legendary name in lenses just expanded its M-system lineup with a new 35mm f/1.2 Noctilux. We’re talking about a tool that promises incredible light-gathering and razor-thin depth of field, perfect for our monochrome craft.
In a frozen power station on the Baltic Sea, Bernhard Brause and his partner Brigitte capture a timeless story of light, shadow, and industrial isolation.
Is the “Golden Hour” overrated? We’re debunking the myth that you can’t shoot at midday and exploring why high contrast, noon day light is a monochrome photographer’s secret weapon.
