A retired rabbi turned street photographer stumbled onto a Brooklyn Chabad camp trip on a ferry to Governors Island. What he found
Rob Sutherland is a commercial and landscape photographer who has shot a photo a day for sixteen years. On a family trip
Ty Nelson picked up a camera because he loved wrestling, and started shooting the action the way most beginners do. What he
Kenneth Nelson had one goal on June 26, 2004. Document the Mermaid Parade. Then the music found him first, and it never
Andre Vallgren spent a day photographing a Swedish luthier who has built guitars for Keith Richards and Ryan Adams. What he found
Andrés Gonzalez started asking questions about Portugal's wildfires in 2023 and has not stopped since. He rides hundreds of kilometers on a
Michael Houghton and his wife fell in love with the Isle of Harris on their first visit in 2015 and have returned
Flora van Wageningen took a solo weekend to the mountains during a genuinely low point in her life, expecting nothing more than
Mark Archibald bought six acres of fallow farmland twenty five years ago and spent decades planting trees, scattering acorns on walks, and
The Milky Way never showed. Two nights of clouds over the Vermillion Cliffs erased the whole reason for the trip. A dinner
David Clark has a modest summer home on a small island in Maine, and he has spent years trying not to make
Rakesh Subramanian doesn't remember which book first put the Bolivian salt flats in his head. He just remembers the feeling, and how
Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing
Leighton Phillips describes his work as Urban Still Life, drawn to the mundane, the ignored, and the visually familiar rather than anything
Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and
Damian Ward is drawn to woodland and solitary trees, especially in winter when the branches are bare, in a landscape he describes
Edward Boches was pulled into photography by John Filo's 1970 image of a woman kneeling over Jeffrey Miller at Kent State, the
Andrew Griffiths has been photographing since he was four or five years old, carrying a bakelite Brownie camera through the Pennine hills
In an era of AI and heavy compositing the definition of photography is blurring. This week we ask the hard question: At what point does an image stop being a photograph and become something else?
The world’s defining photos of the year are out, and the number of black and white images is jarringly low: 5 out of 100. When color is used as the primary language of truth in photojournalism, what does it mean for us?
We live in a world screaming in high definition color. Every screen is a cacophony of hues fighting for your attention. But what happens when you silence that volume?
Are you stuck in a creative rut with your black and white photography? Discover how the “hamster wheel” metaphor perfectly describes creative stagnation, and learn practical strategies to build forward momentum into your monochrome work.
Imagine being a photographer and your husband is Henri Cartier Bresson. Most of us would probably put the camera down and walk away. Martine Franck didn’t. In today’s Monochrome Minute, we look at how she carved out her own legendary status in the shadow of a giant, and what her “friendly gaze” can teach us…
A photograph is a film in a single frame. Every great composition balances two fundamental elements: the grand setting and the narrative subject. This post will show you how to stop capturing empty scenes and start directing cinematic, story driven photographs simply by shifting your mindset, not staging a shot.
We live in a world built for consumption. Tutorials, reviews, reels, and endless inspiration are always one swipe away. But if you want to grow as a photographer, consuming more than you create becomes a trap. Real progress happens when you put the camera in your hands, not when you watch someone else use theirs.
Camera technology keeps getting better, yet many photographers still struggle to improve their images. The truth is simple: gear can only amplify your vision, not replace it. In this post, we explore why your photos may not be evolving with your equipment and how focusing on intention, light, and deliberate practice can finally move your…
Underexposure isn’t a mistake in monochrome photography. It’s a creative choice that adds depth, mood, and intention to your images. By pulling the exposure down, you let shadows shape the story, protect your highlights, and create photographs that feel more atmospheric and visually striking. Sometimes shooting darker gives your work exactly the edge it’s been…
Reprocessing older photos isn’t about nostalgia. It’s about discovering the creative potential you missed the first time around. As your eye evolves, so does your ability to shape tone, light, and emotion. Revisiting your archives can reveal images that suddenly feel stronger, more intentional, and more aligned with your current vision especially in monochrome, where…
