A Photo Story: The First City in the Americas
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of the Zona Colonial, in
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of
Flavia Silva walked the port district of Rio de Janeiro on a gray July Wednesday and came home with twelve pictures in
Bojan Fürst set out to profile seventy Newfoundlanders and Labradorians for the seventieth anniversary of the province joining Canada. He finished twenty
Ajay Lalu stopped at the Kaapse Klopse on his way home from a photo walk. Three years later, after earning his way
A retired rabbi turned street photographer stumbled onto a Brooklyn Chabad camp trip on a ferry to Governors Island. What he found
Rob Sutherland is a commercial and landscape photographer who has shot a photo a day for sixteen years. On a family trip
David Mullin photographed the empty tables at his family favorite restaurant on a Leica M6, and the picture became his test of
Neil McShane made this photograph from a bench in his front garden in 2022, while recovering from sepsis with a Fuji X-T20
A figure appears in the mist at the Osaka Expo, caught on a Leica M3 loaded with Ilford Delta 3200. Jasper Bancroft
Mark Archibald had long kept a quarter mile gravel road in mind as a good sunset vantage point over an Amish farm
Michael Houghton and his wife fell in love with the Isle of Harris on their first visit in 2015 and have returned
Flora van Wageningen took a solo weekend to the mountains during a genuinely low point in her life, expecting nothing more than
Dani Rüede bought his first serious camera to photograph his watch collection. A Ricoh GR III turned him into a street photographer,
Danny Wong grew up understanding his family through photo albums. Now he carries one camera and one lens, photographs mood rather than
Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing
Leighton Phillips describes his work as Urban Still Life, drawn to the mundane, the ignored, and the visually familiar rather than anything
Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and
Damian Ward is drawn to woodland and solitary trees, especially in winter when the branches are bare, in a landscape he describes
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Ask your questionIn the world of monochrome photography we often debate which element is the true king of our craft. Is it the dramatic interplay of light and shadow or is it the structural perfection of a strong composition? While light provides the soul and emotion of an image composition provides the essential structure that guides the…
The world of photography just converged on Yokohama for CP+ 2026 and the results are a dream for monochrome enthusiasts. This year was not about chasing megapixels but about reclaiming the soul of the craft. We saw a massive shift toward lightweight professional glass like the new Nikon 70-200mm and a surprising surge in tactile…
In a world without algorithms, the loudest person in the room is often the first to be ignored. We explore the etiquette of the chronological timeline and why the most powerful thing a photographer can do is give their work room to breathe.
Nikon’s new Z5II mirrorless camera offers exciting features for artists working in black and white. Its full-frame sensor and impressive low-light capabilities promise to elevate our monochrome vision.
As the doors close on the largest CP+ show in history, the message from Yokohama is clear: the era of chasing “perfect” specs is giving way to a new era of “character.” From Canon’s surprising retro box-camera prototype to Nikon’s record-breaking lightweight 70-200mm, the industry is finally listening to photographers who want tools that feel…
We are constantly told that life begins at the end of our comfort zone, but in the world of photography, the opposite is often true. This post explores the “Photographic Comfort Zone” the place where the camera disappears, the mechanics become second nature, and you are finally free to see the world with absolute clarity.
A legendary name in lenses just expanded its M-system lineup with a new 35mm f/1.2 Noctilux. We’re talking about a tool that promises incredible light-gathering and razor-thin depth of field, perfect for our monochrome craft.
Is the “Golden Hour” overrated? We’re debunking the myth that you can’t shoot at midday and exploring why high contrast, noon day light is a monochrome photographer’s secret weapon.
Is it better to be an invisible observer or an active participant? We explore the two defining philosophies of street photography, candid vs. interactive and how both shape the monochrome experience.