A Photo Story: The First City in the Americas
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of the Zona Colonial, in
The #1 Community for black and white photography
Photo Stories
A Photo Story: The First City in the Americas
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of
A Photo Story: Nobody Is Looking at the View
Flavia Silva walked the port district of Rio de Janeiro on a gray July Wednesday and came home with twelve pictures in
A Photo Story: Seventy Voices, Twenty Six Recorded
Bojan Fürst set out to profile seventy Newfoundlanders and Labradorians for the seventieth anniversary of the province joining Canada. He finished twenty
A Photo Story: The Masks That Scared Him as a Boy
Ajay Lalu stopped at the Kaapse Klopse on his way home from a photo walk. Three years later, after earning his way
A Photo Story: What Thirty Eight Years as a Rabbi Taught Him to Notice
A retired rabbi turned street photographer stumbled onto a Brooklyn Chabad camp trip on a ferry to Governors Island. What he found
A Photo Story: One Camera One Lens One Family Holiday
Rob Sutherland is a commercial and landscape photographer who has shot a photo a day for sixteen years. On a family trip
Behind The Shot
Behind The Shot With David Mullin
David Mullin photographed the empty tables at his family favorite restaurant on a Leica M6, and the picture became his test of
Behind The Shot With Neil McShane
Neil McShane made this photograph from a bench in his front garden in 2022, while recovering from sepsis with a Fuji X-T20
Behind The Shot With Jasper Bancroft
A figure appears in the mist at the Osaka Expo, caught on a Leica M3 loaded with Ilford Delta 3200. Jasper Bancroft
Behind The Shot With Mark Archibald
Mark Archibald had long kept a quarter mile gravel road in mind as a good sunset vantage point over an Amish farm
Behind The Shot With Michael Houghton
Michael Houghton and his wife fell in love with the Isle of Harris on their first visit in 2015 and have returned
Behind The Shot With Flora van Wageningen
Flora van Wageningen took a solo weekend to the mountains during a genuinely low point in her life, expecting nothing more than
Photographer Spotlight
Photographer Spotlight: Dani Rüede
Dani Rüede bought his first serious camera to photograph his watch collection. A Ricoh GR III turned him into a street photographer,
Photographer Spotlight: Danny Wong
Danny Wong grew up understanding his family through photo albums. Now he carries one camera and one lens, photographs mood rather than
Photographer Spotlight: Kayleigh Morin
Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing
Photographer Spotlight: Leighton Phillips
Leighton Phillips describes his work as Urban Still Life, drawn to the mundane, the ignored, and the visually familiar rather than anything
Photographer Spotlight: Flora van Wageningen
Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and
Photographer Spotlight: Damian Ward
Damian Ward is drawn to woodland and solitary trees, especially in winter when the branches are bare, in a landscape he describes
Where photographers who shoot in black and white come to learn, share and grow
Ask The Collective
Every photographer has a question they have never asked
Gear, light, composition, editing, printing, or how to see. Ask a question and get a human answer.
Ask your question-
Is Golden Hour the Only Hour?
Avoid midday sun. Wait for golden hour. It’s one of the first rules every photographer learns, usually before they’ve even figured out what aperture does. The observation behind it is real. The rule it turned into might be costing you some of the strongest light you’ll ever get.
-
A Photo Story: What the Wood Knows
Andre Vallgren spent a day photographing a Swedish luthier who has built guitars for Keith Richards and Ryan Adams. What he found was less about the instruments and more about the man building them.
-
Behind The Shot With Alexander Grubl
Alexander Grubl and a friend showed up to the US Capitol with no ticket, no plan, and one honest answer to a Capitol Police officer. We’re from Austria, we don’t have a congressman. That answer got them a Special Visitor Pass, a walk through the Rotunda, and eventually a wrong turn straight into the office…
-
Substance Without Performance Is Just as Empty
There’s a idea floating around photography circles right now, substantive images good, performative images bad, as if the two are opposites and you have to pick a side. We don’t buy it. A photograph needs something true underneath it, and it needs the craft to actually deliver that truth to someone looking at it. One…
-
Photographer Spotlight: Lori Naumes
Lori Naumes got into photography because of encouragement, not obsession, feedback on social media, family cheering her on, and a decision to buy a “real” camera and give it a shot. Now she photographs people, emotion, and the quiet stories between them, favoring a zoom lens precisely so she can observe rather than stage. We…
-
Weekly News Roundup
A genuinely eventful week. Fujifilm marks 40 years of QuickSnap with its first ever black and white disposable camera, Capture One and Hasselblad bury the hatchet after years of mutual silence, Annie Leibovitz gets caught in a real conversation about color grading and cultural bias, and two black and white exhibitions are worth knowing about…
-
Everyone Thinks Pizza Is Easy. That’s The Problem.
There’s a new pizza place in Boston doing authentic Roman style pizza, the only one in the whole city. It’s delicious and it’s packed, and it got us thinking about why so few pizza places, or photographers, ever actually stand out from the crowd.
-
Learning to See: Part 3
Alex figured out exactly what caused the freeze at the bus stop, too many decisions happening at once, and found a way to remove most of them before the next outing. The fix worked. The moment arrived, the shutter fired instantly, and the exposure was perfect. So why did something still feel off?
-
The Collective Eye No. 2
Every week we feature one photograph from the Collective and invite honest feedback from the community. No names attached, no backstory beyond what the photographer was trying to achieve. Just the image, open for genuine critique.
-
What You’re Actually Supposed to Learn From the Masters
Every serious photographer is told to study the masters, Cartier-Bresson, Fan Ho, Weston, Moriyama. But there’s a right way to do that and a wrong way, and most people default to the wrong one without realizing it.