A Photo Story: The First City in the Americas
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of the Zona Colonial, in
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Photo Stories
A Photo Story: The First City in the Americas
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of
A Photo Story: Nobody Is Looking at the View
Flavia Silva walked the port district of Rio de Janeiro on a gray July Wednesday and came home with twelve pictures in
A Photo Story: Seventy Voices, Twenty Six Recorded
Bojan Fürst set out to profile seventy Newfoundlanders and Labradorians for the seventieth anniversary of the province joining Canada. He finished twenty
A Photo Story: The Masks That Scared Him as a Boy
Ajay Lalu stopped at the Kaapse Klopse on his way home from a photo walk. Three years later, after earning his way
A Photo Story: What Thirty Eight Years as a Rabbi Taught Him to Notice
A retired rabbi turned street photographer stumbled onto a Brooklyn Chabad camp trip on a ferry to Governors Island. What he found
A Photo Story: One Camera One Lens One Family Holiday
Rob Sutherland is a commercial and landscape photographer who has shot a photo a day for sixteen years. On a family trip
Behind The Shot
Behind The Shot With David Mullin
David Mullin photographed the empty tables at his family favorite restaurant on a Leica M6, and the picture became his test of
Behind The Shot With Neil McShane
Neil McShane made this photograph from a bench in his front garden in 2022, while recovering from sepsis with a Fuji X-T20
Behind The Shot With Jasper Bancroft
A figure appears in the mist at the Osaka Expo, caught on a Leica M3 loaded with Ilford Delta 3200. Jasper Bancroft
Behind The Shot With Mark Archibald
Mark Archibald had long kept a quarter mile gravel road in mind as a good sunset vantage point over an Amish farm
Behind The Shot With Michael Houghton
Michael Houghton and his wife fell in love with the Isle of Harris on their first visit in 2015 and have returned
Behind The Shot With Flora van Wageningen
Flora van Wageningen took a solo weekend to the mountains during a genuinely low point in her life, expecting nothing more than
Photographer Spotlight
Photographer Spotlight: Dani Rüede
Dani Rüede bought his first serious camera to photograph his watch collection. A Ricoh GR III turned him into a street photographer,
Photographer Spotlight: Danny Wong
Danny Wong grew up understanding his family through photo albums. Now he carries one camera and one lens, photographs mood rather than
Photographer Spotlight: Kayleigh Morin
Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing
Photographer Spotlight: Leighton Phillips
Leighton Phillips describes his work as Urban Still Life, drawn to the mundane, the ignored, and the visually familiar rather than anything
Photographer Spotlight: Flora van Wageningen
Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and
Photographer Spotlight: Damian Ward
Damian Ward is drawn to woodland and solitary trees, especially in winter when the branches are bare, in a landscape he describes
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The One Subject You’ll Never See Clearly
Every genre we’ve written about so far involves pointing a camera outward, at light, at strangers, at a place. Self portraiture reverses the entire relationship. Here is why that reversal is harder than it sounds, and why it might be worth taking seriously anyway.
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The Collective Eye No. 5
Every week we feature one photograph from the Collective and invite honest feedback from the community. No names attached, no backstory beyond what the photographer was trying to achieve. Just the image, open for genuine critique.
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You Might Need a Fixer
Several of the strongest photo stories we have published here happened because a photographer had someone local vouching for them. A fixer is the formal version of that relationship, and it is far more accessible than most photographers assume.
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Starting Your First Project
We wrote before about why committing to a project produces depth that reactive shooting almost never reaches, and promised a follow up with somewhere to actually start. Here it is, along with a real look at how one photographer’s project came together one visit at a time.
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Photographer Spotlight: Andrew Griffiths
Andrew Griffiths has been photographing since he was four or five years old, carrying a bakelite Brownie camera through the Pennine hills long before his mother ever bothered loading it with film. He shoots the whole river catchment now, from moorland headwaters down to the crowded center of Manchester, almost always with a single fixed…
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Weekly News Roundup
A Ukrainian military photographer captured the exact moment a drone strike detonated, tourists at Yellowstone risked their lives walking across a boiling hot spring for a photo, new research raises real concerns about AI editing and wildlife photography, and Godox rounds out the week with two genuinely interesting budget releases.
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Learning to See: Part 5
Alex spent a week trying to find the right words, the right approach, the right script for asking a stranger to be photographed. None of it worked until Alex stopped trying to find the right words at all.
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Stop Calling Yourself Amateur
So many photographers use the word right there in their social media bio. Amateur. It’s meant as a disclaimer, a way of managing expectations before the images even speak for themselves. The word was never supposed to carry that weight, and neither should you.
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Tune Your Frame Like a Radio Dial
We already wrote about the noise inside your head, the kind that keeps you from seeing anything worth photographing in the first place. This is about the other noise. The kind sitting right there in the frame, competing with your subject for the exact same attention you’re asking a viewer to give it.
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A Photo Story: The Music Never Stops
Kenneth Nelson had one goal on June 26, 2004. Document the Mermaid Parade. Then the music found him first, and it never really let go. Eighteen years and more than six thousand photographs later, he is still trying to figure out which single face captures what happens on that boardwalk.