A Photo Story: The First City in the Americas
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of the Zona Colonial, in
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of
Flavia Silva walked the port district of Rio de Janeiro on a gray July Wednesday and came home with twelve pictures in
Bojan Fürst set out to profile seventy Newfoundlanders and Labradorians for the seventieth anniversary of the province joining Canada. He finished twenty
Ajay Lalu stopped at the Kaapse Klopse on his way home from a photo walk. Three years later, after earning his way
A retired rabbi turned street photographer stumbled onto a Brooklyn Chabad camp trip on a ferry to Governors Island. What he found
Rob Sutherland is a commercial and landscape photographer who has shot a photo a day for sixteen years. On a family trip
David Mullin photographed the empty tables at his family favorite restaurant on a Leica M6, and the picture became his test of
Neil McShane made this photograph from a bench in his front garden in 2022, while recovering from sepsis with a Fuji X-T20
A figure appears in the mist at the Osaka Expo, caught on a Leica M3 loaded with Ilford Delta 3200. Jasper Bancroft
Mark Archibald had long kept a quarter mile gravel road in mind as a good sunset vantage point over an Amish farm
Michael Houghton and his wife fell in love with the Isle of Harris on their first visit in 2015 and have returned
Flora van Wageningen took a solo weekend to the mountains during a genuinely low point in her life, expecting nothing more than
Dani Rüede bought his first serious camera to photograph his watch collection. A Ricoh GR III turned him into a street photographer,
Danny Wong grew up understanding his family through photo albums. Now he carries one camera and one lens, photographs mood rather than
Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing
Leighton Phillips describes his work as Urban Still Life, drawn to the mundane, the ignored, and the visually familiar rather than anything
Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and
Damian Ward is drawn to woodland and solitary trees, especially in winter when the branches are bare, in a landscape he describes
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Ask your questionBettina Kardel came to photography during the pandemic and found her way to street photography almost immediately. Her work is minimalist, graphic, and built around the geometry of urban spaces. She shoots with prime lenses and a Leica Q3 Monochrom and is currently working on her first photo book. We asked her about all of…
There is a difference between a photograph that documents and one that suggests. One shows you what is there. The other makes you feel something about what might be.
Every photographer starts by trying to make photographs that look like the ones they admire. That is fine. That is actually how it works. The question is what happens when you put down the reference image and start shooting from your own experience instead.
There is a record store in every city that serious music lovers trust completely. Not because it only stocks music they agree with. Because its commitment to music is genuine and wide enough to include things that surprised even them. The Collective is trying to be that kind of space for photography.
Camera comparison videos and articles are the most reliable traffic generators in photography media. Here is why they exist, what they are really about, and the question worth asking instead.
The Ricoh GR IV Monochrome is the most relevant gear story for the Collective in months. Daido Moriyama has a major exhibition opening in Paris. And someone built a film camera that develops photographs inside itself. Here is everything worth knowing this week.
There is a difference between glancing at a photograph and actually looking at it. Most people glance. Social media has made all of us very good at glancing. Here is what it looks like when you actually stop and read an image and why developing that habit will change your photography.
Find your style. Develop your style. Have a consistent style. It is the most repeated piece of advice in photography. It is also backwards. Here is why chasing style is getting in the way of better work and what to do instead.