A Photo Story: The First City in the Americas
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of the Zona Colonial, in
The #1 Community for black and white photography
Photo Stories
A Photo Story: The First City in the Americas
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of
A Photo Story: Nobody Is Looking at the View
Flavia Silva walked the port district of Rio de Janeiro on a gray July Wednesday and came home with twelve pictures in
A Photo Story: Seventy Voices, Twenty Six Recorded
Bojan Fürst set out to profile seventy Newfoundlanders and Labradorians for the seventieth anniversary of the province joining Canada. He finished twenty
A Photo Story: The Masks That Scared Him as a Boy
Ajay Lalu stopped at the Kaapse Klopse on his way home from a photo walk. Three years later, after earning his way
A Photo Story: What Thirty Eight Years as a Rabbi Taught Him to Notice
A retired rabbi turned street photographer stumbled onto a Brooklyn Chabad camp trip on a ferry to Governors Island. What he found
A Photo Story: One Camera One Lens One Family Holiday
Rob Sutherland is a commercial and landscape photographer who has shot a photo a day for sixteen years. On a family trip
Behind The Shot
Behind The Shot With David Mullin
David Mullin photographed the empty tables at his family favorite restaurant on a Leica M6, and the picture became his test of
Behind The Shot With Neil McShane
Neil McShane made this photograph from a bench in his front garden in 2022, while recovering from sepsis with a Fuji X-T20
Behind The Shot With Jasper Bancroft
A figure appears in the mist at the Osaka Expo, caught on a Leica M3 loaded with Ilford Delta 3200. Jasper Bancroft
Behind The Shot With Mark Archibald
Mark Archibald had long kept a quarter mile gravel road in mind as a good sunset vantage point over an Amish farm
Behind The Shot With Michael Houghton
Michael Houghton and his wife fell in love with the Isle of Harris on their first visit in 2015 and have returned
Behind The Shot With Flora van Wageningen
Flora van Wageningen took a solo weekend to the mountains during a genuinely low point in her life, expecting nothing more than
Photographer Spotlight
Photographer Spotlight: Dani Rüede
Dani Rüede bought his first serious camera to photograph his watch collection. A Ricoh GR III turned him into a street photographer,
Photographer Spotlight: Danny Wong
Danny Wong grew up understanding his family through photo albums. Now he carries one camera and one lens, photographs mood rather than
Photographer Spotlight: Kayleigh Morin
Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing
Photographer Spotlight: Leighton Phillips
Leighton Phillips describes his work as Urban Still Life, drawn to the mundane, the ignored, and the visually familiar rather than anything
Photographer Spotlight: Flora van Wageningen
Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and
Photographer Spotlight: Damian Ward
Damian Ward is drawn to woodland and solitary trees, especially in winter when the branches are bare, in a landscape he describes
Where photographers who shoot in black and white come to learn, share and grow
Ask The Collective
Every photographer has a question they have never asked
Gear, light, composition, editing, printing, or how to see. Ask a question and get a human answer.
Ask your question-
Nobody Told You Your Photography Would Change Like This
Every serious photographer travels an arc. The work that excited you when you started is not the work that moves you now. The light you chased then is not the light you chase today. Here is what that shift is really about and we want to hear how it has shown up in your own…
-
The Real Gift of Modern Camera Technology Is a More Present Photographer
We talk about autofocus and auto exposure as technical improvements. They are. But the more significant thing they did has nothing to do with sharpness or exposure accuracy. They gave the photographer back to the moment.
-
How to Create Layers in a Photograph
A layered photograph is one where the eye keeps finding something new. Not complexity for its own sake but depth that reveals itself gradually. Here is what that means in practice and how to create it deliberately rather than accidentally.
-
Weekly News Roundup
A busy week coming out of NAB. Panasonic has a new 40mm prime worth knowing about, Canon’s anniversary compact is already selling out, and Blackmagic just announced something that could change how a lot of photographers edit.
-
Does Being Creative Mean Being Original?
Most photographers use creative and original as if they are the same word. They are not. The confusion is causing real anxiety and getting in the way of real work. Here is a more honest and more useful way to think about what being creative actually means.
-
Is Photojournalism Broken?
Photojournalism presents itself as the gold standard of honest photography. The unmanipulated truth. The moment as it actually happened. The reality is more complicated and the gap between the claim and the practice is worth looking at honestly.
-
Photographer Spotlight: Matt Hodson
Matt Hodson calls his style post-street. Not the decisive moment but the moment after. Not the person but the space they left behind. It sounds like a stylistic choice. It is also a philosophy that grew directly out of grief. Here is the photographer behind it.
-
How a Single Photograph Tells a Complete Story
Most photographers think telling a story in a single image is impossible. They are wrong. The mistake is thinking you have to show the whole story. You do not. You have to imply it. Here is the difference and why it matters.
-
The Enemy of Art Is the Absence of Limitations
Orson Welles said the enemy of art is the absence of limitations. He spent a career proving it. So did Robert Frank, Vivian Maier, and Daido Moriyama. Here is what constraint actually does to creative work and why more resources is not always the answer.
-
How Project Photography Can Elevate Your Work
Most photographers shoot reactively. Something interesting appears and they respond to it. Project photography is the opposite and the difference in what it produces is significant. Here is why committing to a subject over time is one of the most powerful things a photographer can do.