A Photo Story: The First City in the Americas
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of the Zona Colonial, in
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of
Flavia Silva walked the port district of Rio de Janeiro on a gray July Wednesday and came home with twelve pictures in
Bojan Fürst set out to profile seventy Newfoundlanders and Labradorians for the seventieth anniversary of the province joining Canada. He finished twenty
Ajay Lalu stopped at the Kaapse Klopse on his way home from a photo walk. Three years later, after earning his way
A retired rabbi turned street photographer stumbled onto a Brooklyn Chabad camp trip on a ferry to Governors Island. What he found
Rob Sutherland is a commercial and landscape photographer who has shot a photo a day for sixteen years. On a family trip
David Mullin photographed the empty tables at his family favorite restaurant on a Leica M6, and the picture became his test of
Neil McShane made this photograph from a bench in his front garden in 2022, while recovering from sepsis with a Fuji X-T20
A figure appears in the mist at the Osaka Expo, caught on a Leica M3 loaded with Ilford Delta 3200. Jasper Bancroft
Mark Archibald had long kept a quarter mile gravel road in mind as a good sunset vantage point over an Amish farm
Michael Houghton and his wife fell in love with the Isle of Harris on their first visit in 2015 and have returned
Flora van Wageningen took a solo weekend to the mountains during a genuinely low point in her life, expecting nothing more than
Dani Rüede bought his first serious camera to photograph his watch collection. A Ricoh GR III turned him into a street photographer,
Danny Wong grew up understanding his family through photo albums. Now he carries one camera and one lens, photographs mood rather than
Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing
Leighton Phillips describes his work as Urban Still Life, drawn to the mundane, the ignored, and the visually familiar rather than anything
Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and
Damian Ward is drawn to woodland and solitary trees, especially in winter when the branches are bare, in a landscape he describes
Ask The Collective
Gear, light, composition, editing, printing, or how to see. Ask a question and get a human answer.
Ask your questionThe Toledo Museum of Art has bought F. Holland Day’s The Seven Words, seven platinum prints from 1898 and one of only three known sets. Here is the work, the photographer, and why platinum still matters.
Your meter aims for middle gray, but the best black and white photographs rarely live there. Here is when to underexpose, when to overexpose, and how to do both on purpose.
A photograph can be perfectly sharp and still leave us cold. Here is the difference between optical focus and emotional focus, and why black and white photographs depend on getting the second one right.
Every week we feature one photograph from the Collective and invite honest feedback from the community. No names attached, no backstory beyond what the photographer was trying to achieve. Just the image, open for genuine critique.
Nobody has ever seen a hunter in the night sky, yet we all see Orion. Here is Gestalt psychology in plain terms, and how the way our minds organize what they see can make black and white photographs stronger.
Nikon’s new Z5IIC removes the electronic viewfinder to come in $450 under the Z5II, and keeps the same sensor and stabilization. Here is what it offers black and white photographers, and what it costs them.
Henri Cartier-Bresson worked unseen. Diane Arbus walked up and got to know people. Two of the greatest black and white photographers, and two opposite answers to how close we should get.
Danny Wong grew up understanding his family through photo albums. Now he carries one camera and one lens, photographs mood rather than a subject, and keeps coming back to black and white for the peace of it.
Most filters have been replaced by software. The black mist filter and the ND filter have not, because they change the light before it reaches the sensor. Here is why both belong in a black and white photographer’s bag.