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Where photographers who shoot in black and white come to learn, share and grow

  • Does the Camera See What You See?

    Does the Camera See What You See?

    Stand in front of something that genuinely moves you and raise a camera. What comes out the other end rarely matches what you felt standing there. That gap is not a flaw in your camera. It is the entire creative problem photography exists to solve.

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  • Behind The shot With Flora van Wageningen

    Behind The shot With Flora van Wageningen

    Flora van Wageningen took a solo weekend to the mountains during a genuinely low point in her life, expecting nothing more than dull, dreary weather. Walking the shoreline of Lake Minnewanka in falling snow, she found a diving platform still anchored out in the lake, alone in a sea of white. It mirrored exactly how…

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  • Weekly News Roundup

    Weekly News Roundup

    Meta wrongly disabled a sports photographer’s Instagram account, Leica quietly removed a finalist from one of photography’s most prestigious prizes, a team sent a camera to the edge of space to catch last week’s eclipse, and new gear ranges from an unusual Sigma lens patent to a real telephoto lens for iPhone.

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  • The Collective Eye No. 6

    The Collective Eye No. 6

    Every week we feature one photograph from the Collective and invite honest feedback from the community. No names attached, no backstory beyond what the photographer was trying to achieve. Just the image, open for genuine critique.

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  • Embrace Silence in the Frame

    Embrace Silence in the Frame

    Not every corner of your photograph needs to be filled. Empty space is not leftover room where nothing happened to be. It is an active choice, and it changes how everything around it lands.

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  • A Photo Story: One Camera One Lens One Family Holiday

    A Photo Story: One Camera One Lens One Family Holiday

    Rob Sutherland is a commercial and landscape photographer who has shot a photo a day for sixteen years. On a family trip to Iceland he had to figure out, in real time, how to be fully present as a father while still making meaningful photographs. Here is how he actually did it.

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  • Photographer Spotlight: Flora van Wageningen

    Photographer Spotlight: Flora van Wageningen

    Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and gave herself five years to master the craft and see her surroundings differently. She keeps returning to landscape and abstract work, and lately she has been questioning whether astrophotography needs color at all,…

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  • Behind The shot With Mark Archibald

    Behind The shot With Mark Archibald

    Mark Archibald bought six acres of fallow farmland twenty five years ago and spent decades planting trees, scattering acorns on walks, and letting the land slowly return to woods. Now deer come close enough to photograph from his own sunroom, camo netting hung over open sliding doors, waiting for a fawn to wander through the…

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  • Why Many Photographers Produce Their Best Work in Their Later Years

    Why Many Photographers Produce Their Best Work in Their Later Years

    Roger Ballen did not become significant because he turned fifty. He became significant because fifty happened to be the point where decades of sustained, serious engagement with the craft finally caught up with him. Here is why compelling photography genuinely takes years to arrive, and why that is not discouraging news.

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  • Weekly News Roundup

    Weekly News Roundup

    A genuinely varied week. VSCO had to clarify how photographers actually get paid for its ambitious billboard project, GoPro’s latest earnings confirm the going concern warning from a few weeks ago was not overstated, the Sony FX5 slips another month, a legendary surf photographer has died, and a trail camera captured something that has never…

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